Mike P. Nelson’s Silent Night, Deadly Night (2025) is a bold attempt to modernize the franchise. Its commitment to character drama, strong ...

Five Nights at Freddy’s 2 may not be the scariest horror sequel of the year, but it stands as a thoughtful, stylish, and lore-rich ...

Sisu: Road to Revenge stands as a strong, if slightly overstuffed, continuation of a cult action saga. It delivers ferocity, striking visuals, ...

In the end, Rental Family stands as a thoughtful meditation on what it means to belong, to pretend, and to care in a world where ...

Regardless of which types of food you're into, it's always nice to grow your interests beyond preparation and consumption. You can meet new ...

Over the years, filmmakers have tried to capture what makes Formula 1 such an intoxicating world: the glory, the tragedy, the danger, and the ...

Unlike the sometimes scattershot visual energy of the second installment, Now You See Me: Now You Don’t feels more controlled and confident. The magic sequences—always the franchise’s selling ...

From the performances to the direction to the sweet cinematography and the core idea of compassion, Rental Family is the film 2025 needs.

Coming off last year’s blockbuster and Oscar wins with Wicked, Wicked: For Good faces the difficult task of creating an equally compelling part 1. Luckily, the source material already features a ...

Despite minor shortcomings, The Running Man stands as a thrilling achievement. Wright delivers a film that entertains with force while ...

The Night Of The Juggler: Review. Re-release by Kino Lorber. Probably boasting one of the longest chase scenes in film history, The Night of the Juggler has long hovered in cult obscurity, outshined ...

Making a Beatles Movie in Ireland: Part 2. My journey with my short Beatles film, Mersey Boys. By Steven G. Farrell. Moira (Rachel Cobb) and Gerard Moran (the author) fly to Ireland from the U.S.A for ...